Saturday, May 23, 2009


My Twitter Follow Policy (10:15PM)

I love Twitter. I even have a couple accounts. vtphotog for photography, birding, and Vermont related tweets and usrbingeek for IRC, politics, and more general subjects. However, Twitter is not completely free from drama or problems.

Recently, I silently unfollowed someone without any comment because of their constant personal attacks on another person that I followed. I have no interest in getting involved in their argument and wasn't getting anything valuable from following this person anyway so it wasn't a hard call to make. But, they must use one of those follow management services because they immediately sent me a particularly nasty email that restated some of their rants about the other person and also chastised me for unfollowing them. This situation has motivated me to put together this formal Twitter Follow Policy:

In general I follow my friends, associates, photographers, Vermonters and others that are otherwise interesting or funny, but only if I believe they are genuine, know what they're talking about and aren't insulting or disagreeable.

I don't try to limit my follower count to some arbitrary number but there are some things that will ensure that I wouldn't reciprocate your follow or could cause me to unfollow you, or maybe even block you. In no particular order, they are:

:: Comments left behind ::

Friday, April 10, 2009


Fly like an eagle (03:37AM)

The music is a bit strange but this video from a small camera attached to soaring Golden Eagle is quite amazing.

:: Comments left behind ::

That's badass hehe !!

:: onlocash June 13, 2009 08:02 PM

Monday, March 2, 2009


My path to discovering Vermont Waterfowl (04:24PM)

Living in Vermont provides me with constant opportunities to make lots of landscape photographs. Everyday, no matter where I go I come across some picturesque scene and can't stop myself from photographing it. Sometimes even when I'm running behind or late. I hope I never become blasé to the beauty here.

There are many times of year when I do nothing but crisscross the entire state going to my favorite spots to make photographs at sunrise and sunset or wait hours at some barn until the clouds, light and shadows are "just right."

When the weather is changing and the sky is going to be dramatic I obsesses about going out to capture it and where I can work it best into some specific landscape. I couldn't care less if I get soaked in the process. All I want to do is get the image I pre-visualized.

My favorite thing though, is when I unexpectedly come across natural wildlife when shooting landscapes and working it into the scene or making it the prime subject. What kind of animals or birds it might be doesn't much matter to me.

I enjoy photographing Black-capped Chickadees, deer and voles just as much as Osprey, Bald Eagles, and Black Bears. But lately, I've gotten very serious about seeking out specific types, if not species, of wildlife to photograph rather than coming across it through happenstance and being an opportunistic photographer of it. It hasn't been easy.

I've been spending a lot of my free hours this winter freezing my toes off in a hunting blind and waiting for the wildlife. It takes a lot of patience and perseverance. Much to my own surprise I LOVE every freezing cold minute of it! I even enjoy the days where I didn't get one good image because nothing got close enough. The landscape and scenery is still breathtaking and the peace and quiet of the outdoors which is only interrupted by natural sounds like ice expanding or contracting, foot steps of animals walking through the snow or birds flying, landing, taking off or calling is sublime.

For the past couple weeks I've been photographing different species of diving ducks on Lake Champlain like the Bufflehead, Common Goldeneye, Common Merganser, Hooded Mergansers, Lesser Scaup and Red-breasted Merganser. Up until a few weeks ago I never knew anything about them, let alone that they were here in Vermont. When I'm not working or out photographing them I've been reading about diving ducks and other waterfowl in Vermont. It's been such a fun experience observing, photographing and learning more about these fascinating and adorable birds.

Now through late April is a great time to view waterfowl in Vermont as many species stop here on their way to more northern breeding grounds. To watch them all you need to do is find open water (not ice), have a decent pair of binoculars, and keep still and quiet. (Its best to leave young children at home as they're unable to stay quiet or still long enough.) However, unfortunately to capture decent photographs of most waterfowl you need a lot of specialized gear as point and shoot cameras cannot provide the magnification (zoom), stability, or speed that is required.

The Lake Champlain Ferry Docks in Charlotte and Grand Isle have been good spots, when they're not frozen. (Grand Isle was completely frozen yesterday and Charlotte probably is or will be after today. But, later in the week I think the lake should open up again. Also note: You cannot go on Lake Champlain Ferry property unless you're crossing on the ferry but there are good vantage points near each.)

Sorry, I don't have any photographs to go with this post as I don't have the time (or drive) to sort/rate and digitally process any of these shots right now. As always, I'd much rather spend my time behind a camera making photographs than spending time sitting behind my computer.

:: Comments left behind ::

Monday, February 16, 2009


Next generation PocketWizards Impresses (05:54PM)

Earlier today PocketWizard announced their next generation of PocketWizard flash syncs and they look nothing short of amazing. Unfortunately, for Nikon shooters, we'll have to wait until the 2nd Quarter of 2009, whereas Canon's version will be available in March.

In short, you can dump all your unreilable PC sync cords and just slide these on your cameras and flashes and let your camera completely control the flash. You can still take over and do things manually if you like but wow, it sure sounds like using off camera flash just got really quick and simple.

:: Comments left behind ::

Thursday, February 12, 2009


Photography is not a crime or terrorism (12:37PM)

The Colbert ReportMon - Thurs 11:30pm / 10:30c

Yep, Amtrak really does have a photography contest and their security staff according to media reports, to this day, still harasses photographers for taking pictures of the trains.

The entire idea that terrorists take photographs to plan an attack is silly and something only Hollywood does to fill time in a movie. Security experts and intelligence officials say that there isn't any evidence that any terrorists photographed their targets prior to carrying out their attacks.

The unfortunate truth is that most attacks have been done with little planning and the terrorists are smart enough to not attract attention to themselves by photographing or video taping their targets.

Security guards and officials need to start applying some common sense to this. You don't have to be FBI trained to get a feeling if someone is acting suspicious or not. Just because an individual is holding a camera doesn't mean they are up to no good and it alone shouldn't be a reason to harass them.

:: Comments left behind ::

Wednesday, January 7, 2009


How does a photographer fix a broken light switch? (11:53PM)

How does a photographer fix a broken dimmer light switch in their office that is stuck on high and making the light too harsh?

No, the answer is not to call electrician.

Nope, it's not to get out the tools and replace the switch.

You also guessed wrong if you think the lights would simply be turned off.

The correct answer is in the full post.

_DS27338.JPG

I'm not sure right now but I kinda like the look! I don't think I'll rush to replace that switch any time soon.

What do you think?

:: Comments left behind ::

lol, very attractive. And the color works with the decor. Nice fix.
You can start a side business as a lighting designer.

:: gknee January 8, 2009 09:38 AM

Monday, December 1, 2008


Nikon D3x announced, Where's the new 70-200mm? (04:01AM)

All the rumors are no longer rumors. Nikon officially announced the Nikon D3x SLR today. This professional digital SLR features a new Nikon designed sensor that delivers 24.5-megapixel resolution and RAW files that are at least 138 MB each!

The camera is strictly of interest to professional photographers and lawyers/doctors/dentists that can afford its estimated selling price (ESP) of $7999.95.

All the online forums and mailing lists are jumping with lots of Nikon and Canon users opining or making fun of the price. But to be truthful, I'm not too surprised by it. Its fair when you compare it similarly specced cameras.

Most of those complaining are making comparisons to the Canon 5D Mark II. But is this a fair comparison? While the Canon 5D Mark II is used by many pros it is certainly not pro-grade in terms of waterproofing, shock resistance, dust resistance, reliability and build quality. It's a "prosumer" product even according to Canon. A fair apples to apples comparison is the pro-grade Canon 1Ds Mark III which was released at $7999.00. Oh. My. God! What a nerve of Nikon to charge .95 cents more!

Besides, we all know no one charges the ESP after the initial shipments are sold. The prices start falling tens of dollars within 2 or 3 weeks of that and hundreds within 2 or 3 months. It should level off at $6,500 not before long.

I can't wait to start seeing the reviews of the Nikon D3x as I'm very eager to know if the 24.5 MP sensor lives up to the hype. Does it really perform as well as the D3 in low light? I wouldn't be surprised if it does but I wouldn't consider parting with any of my cash until confirming it does.

My biggest concern is that Nikon still hasn't refreshed the Nikon 70-200mm f/2.8G ED-IF AF-S VR Zoom Nikkor Lens. While this workhorse lens is nothing less than fantastic on 35MM film bodes and digital DX sensor SLRs, such as the Nikon D300, it shows its age and deficiencies on the Nikon D3 and D700. In my opinion, it shouldn't be used on these bodies for professional work. So I always keep mine on my D300.

Nikon has released new lens essentially optimized for the FX sensor DSLRs such as the stunning 14-24mm and 24-70mm but there is such a large hole in the line up until you get up to the 200-400mm. Many pros that still had the 80-200mm on a shelf switched back to it. Others are using the Sigma 100-300mm F/4.

I must admit that the problems with the 70-200mm on the D3 has made me regret buying the D3. Had I known how it performed on it, I would have held off!

Short of an updated lens with F/2.8 and VR that covers the 70-200mm range on the market I'd hold off on even considering buying the D3x or any other FX sensor DSLR body. Nikon needs to fill this hole and fast! I cannot believe we're still waiting for it.

It was rumored to be announced on two previous occasions and many were saying up until last week we'd see it tonight too. I held out hope and thought we would see it updated along with the D3x tonight and possibly even seen the 80-400mm refreshed too. I have a feeling that Nikon is experiencing production delays or manufacturing problems that led them to pull back on announcing it. I really hope this is the case. I would actually feel better if I we heard this from Nikon, because it would be very alarming if they're not working on an update and no announcement is imminent! Nikon really needs to address this issue soon or at least speak out about it.

The D3x press release follows.

NIKON UNVEILS A DIGITAL MASTERPIECE: THE D3X DIGITAL SLR

With Extreme 24.5-Megapixel Resolution, Processed Image Files Exceeding 138 MB, Five Frame-per-Second Burst Speed and Nikon Core Technologies, the D3X Ushers in a New Level of Image Quality

MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today's photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.

“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”

Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash™ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X's flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.

The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.

Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.

The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon's exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system's sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.

Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To further ensure each photographer's ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.

Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.

A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.

System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.

Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**

* Based on CIPA Standards
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

:: Comments left behind ::

Saturday, November 29, 2008


Why I don't waste my time with new IRC networks (10:35PM)

Earlier today, I was repeatedly asked why I won't help others start IRC networks, and why I won't even join any other networks. This person made some silly statements, and put me on the defensive about the issue.

I always politely decline these requests and state that I have too many windows open so I cannot connect to anymore networks, which is actually true. I run Parallels just so I can run mIRC, and it can barely handle all the channels I'm in on the three networks I connect to.

It's also a time management issue, especially when it comes to starting a new network. Explaining this is usually good enough and puts the issue to bed. However today, he kept pushing me for a more direct answer and I just didn't know how I could answer this question without offending the person asking.

It's not only about Parallel's problems and my lack of free time. It also comes down to what I've seen happen time and time again.

It usually starts out with a teen that has a moderately popular channel with about a dozen or two users, sometimes more. In some cases they'd want to just have the technical experience of setting up their own network. In most cases, it has a lot to do with the perceived power. The ability to gline users instead of being limited just to channel bans is enchanting to some. Glining looks so cool, they think: "...I'll have so much power, over so many people, no one can argue with me again! HAHAHAAA!"

Nonetheless, they've got the idea of having their own network in their head so they start questioning what we use for software and hardware and how we do everything. It gets to the point of being annoying... answering these questions over and over, especially after seeing the same end result all the time.

But they don't stop. They repeatedly beg and bug us for help installing Unreal... on Windows! Then Anope. Then BOPM. Then stats. Eggdrops? Opps they don't run on Windows do they? Ugh! They never read the docs. They don't try to figure out anything themselves! They want us to tell them step by step... or better yet do it all for them!

By some miracle, they eventually kinda get some of it working, it keeps crashing, but hey it kinda works! Here comes the rub. Hardly anyone joins their new "network."

They thought they would get the users from their channel to switch to their new "network", and that they would move their respective channels but it usually doesn't happen. Many people on WyldRyde are in a lot of other channels, this is where their friends are, plus they're on other networks too. Why have another server window open? Many also tried out other new "networks" and experienced the same end result so they're reluctant to give any new ones a try.

So they start harassing everyone in their channel, and a few other people that they barely know in others. Maybe after lots of begging and harassing a few users will join. However, no one likes an empty net. So those new users might stick around just long enough that they feel like they're not offending the guy, but they typically don't return after a reboot or when that crappy Windows IRCd crashes or even more likely Windows crashes because 4 days went by without a BSOD. ;)

So after a few days and not being able to retain many of their initial users, they start to spam their "network" on WyldRyde and others. They get glined from all of them for spamming and there's no going back. Still no one joins... except the super idiots that use botnets to flood them in retaliation for spamming. Oops, it crashed again.

In a last ditch effort to get some users, they then start offering olines to anyone. I mean anyone. I'm talking about people that shouldn't even be trusted with IP addresses, let alone emails and passwords, which unfortunately most users don't make unique.

Through these abusive idiots and their "friends", they might get another dozen people to join... and that's usually when the fights for power start.

After a few hours (or maybe days) of the dogs fighting for the alpha and beta positions; or them then exceeding their powers by killing or glining users that are friends with the owner; the owner removes these idiots' olines and thats when the real trouble begins. One of them either hacks the server, services, or all of above. Or worse yet... DDoSes them out of an ISP! Yes, I've seen that happen too many times too.

After all that "fun," that's when they finally realize that running their own IRC network wasn't so much fun after all!

Sadly, this is when some give up on IRC altogether or they come running back to us to beg removal of their spam glines.

Sure this isn't what happens all the time. Sometimes it takes half a year for all this to play out. In many cases, it's just months (if not weeks). For the more than ten years that I've been on IRC, it's what I've seen happen over and over again. If I had to put a number to it I'd guess it was 99% of the time!

I can only think of three networks that started out this way and lasted more than a year. Even still, they struggle to find users and one of them just gave up too.

So when I decline to help, it's not because I don't like you, or trust you. It's not because I don't want to help. It's because I'm sick of seeing the same mistakes made over and over again and the same stupid immaturity. Simply put:
Lasting networks are not started overnight and are certainly never started by someone without any experience.

If you're serious about running your own network, you've got to get some experience first. Help out on other networks and work hard to become staff on them. Then work your way up and Admin for a while until you've gained enough practical experience that you can do it on your own without asking others for help. But, if you're volunteering at the right network, after a while you probably won't care about running your own anymore, as you should enjoy doing what you're doing there. In any case, it's the only way to gain the knowledge required to run an IRC network successfully if you should still want to one day.

:: Comments left behind ::

So, Can you help me with my own IRCd?

Haha, I know how it feels, I take in staff members at my web host then they want to branch off and start something so they can be just like me, and after so long they come back to me asking for their staff position back after they've lost several hundred dollars in server costs and support, etc.

May 2009 bring you lots of luck and money of course! :)

Regards,
Brad

:: BwaddArr January 2, 2009 03:14 PM


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